stoled a meme

thanks to @amixedreality for encouraging anyone to steal

RULES: Tag 10 followers that you would like to get to know better.  NO RULES! Do this if you want!!! 

NAME: Melissa or Gab
NICKNAME[S!]: Gabapple, Gabs, Gabbergabber, etc
STAR SIGN/ZODIAC: Virgo
GENDER: Female. She/her. They/them. 
HEIGHT: 5′6″ ~*~ so average ~*~
FAVORITE COLORS: red (crimson), blue (mediterranean), green (sage, emerald), grey (cool range), brown (chocolatey), pink (very pale strawberry), orange (bright fruity)… 
TIME RIGHT NOW: 10:39 PM MST
AVERAGE HOURS OF SLEEP: 3-6. 7 on a really good day.
LUCKY NUMBERS: 2, 4, 6, 12, 16, 24, 144  (I really like even numbers)
LAST THING YOU GOOGLED: “how to fix arm fat” (I found nothing useful)
NUMBERS OF BLANKETS I SLEEP WITH: 2-4 
FAVORITE FICTIONAL CHARACTERS: Ender (Ender’s Game), Conan/Shinichi (Detective Conan), Haru (Free!), Indiana Jones, Kaneda (Akira), Shinji (Neon Genesis Evangelion), Ashitaka (Princess Mononoke), Raphael & Leonardo (Teenage Mutant Ninja Turtles), Ash (Pokemon), Marinette & Adrienne (Ladybug), Simba (The Lion King), Aladdin, Judy & Nick (Zootopia), Lupin (the 3rd), Hakuba (Magic Kaito),  Kotetsu (Tiger & Bunny), Light (Death Note), etc… I definitely have a type or two…

FAVORITE BOOKS: Ender’s Game/Ender’s Shadow, Black Beauty, The One Hundred and One Dalmatians, Ella Enchanted

FAVORITE BANDS/ARTISTS: Muse… also the Beatles… I like way too much. Panic! At the Disco. Fallout Boy. Nickelcreek. Sixpence None the Richer. Taylor Swift (1989 was so good guys). Depeche Mode. Linkin Park. 

DREAM JOB: Current job (graphic designer) + occasionally going on book tours and teaching at workshops/cons!
WHAT AM I WEARING RIGHT NOW: Baggy jeans, teal blouse thing, white tank top, fitbit
WHAT DO YOU POST ABOUT? “wah wah I’m tired” “wah I hate writing” “here is a drawing of a cat” 
DO YOU HAVE ANY OTHER BLOGS? Yeah, but I don’t really post much… I reblog stuff to @icklegab mostly.
WHEN DID YOUR BLOG REACH ITS “PEAK”? IDK. It hasn’t happened yet! I hope. 
WHO IS YOU MOST ACTIVE FOLLOWER?  Maybe @lemurcat ?? Or @mamodewberry

WHAT MADE YOU DECIDE TO GET A TUMBLR? idk I think people on a MUSH were talking about it. 

DO YOU GET ASKS ON A DAILY BASIS? LOL no way. I got asks when I was doing my Hakuba or Conan blog, but this account gets basically no asks. 
WHY DID YOU CHOOSE YOUR URL? ‘Gab’ is taken everywhere and ‘Gabpple’ is usually not. 
RELATIONSHIP STATUS: Married! 
PETS: 3 fat cats
WAKE UP: w-what? Why?? 
CATS OR DOGS: Bothhh. Kitties are easier, though.
COKE OR PEPSI: That depends on what it’s for/with. Pepsi is sweeter than Coke, so I like it with really salty stuff (popcorn, potatoes)… BUT the biggest determination is if it’s cold or not. Cold = Pepsi. Room temperature = Coke. 
DAY OR NIGHT: Evening. I’m crepuscular. Like a hamster. 
TEXT OR CALL: TEXT PLEASE. Unless you’re my mom. Then you can call. 
CHAPSTICK OR LIPSTICK: Chapstick. I don’t even own any lipstick. 
CITY OR COUNTRY? Suburbia. City has restaurants and stores. Country has quiet and critters. I will be in the middle kthanks. 
LAST SONG I LISTENED TO: An 8-bit remix of the Legend of Zelda theme. 

stoled a meme

thanks to @amixedreality for encouraging anyone to steal

RULES: Tag 10 followers that you would like to get to know better.  NO RULES! Do this if you want!!! 

NAME: Melissa or Gab
NICKNAME[S!]: Gabapple, Gabs, Gabbergabber, etc
STAR SIGN/ZODIAC: Virgo
GENDER: Female. She/her. They/them. 
HEIGHT: 5′6″ ~*~ so average ~*~
FAVORITE COLORS: red (crimson), blue (mediterranean), green (sage, emerald), grey (cool range), brown (chocolatey), pink (very pale strawberry), orange (bright fruity)… 
TIME RIGHT NOW: 10:39 PM MST
AVERAGE HOURS OF SLEEP: 3-6. 7 on a really good day.
LUCKY NUMBERS: 2, 4, 6, 12, 16, 24, 144  (I really like even numbers)
LAST THING YOU GOOGLED: “how to fix arm fat” (I found nothing useful)
NUMBERS OF BLANKETS I SLEEP WITH: 2-4 
FAVORITE FICTIONAL CHARACTERS: Ender (Ender’s Game), Conan/Shinichi (Detective Conan), Haru (Free!), Indiana Jones, Kaneda (Akira), Shinji (Neon Genesis Evangelion), Ashitaka (Princess Mononoke), Raphael & Leonardo (Teenage Mutant Ninja Turtles), Ash (Pokemon), Marinette & Adrienne (Ladybug), Simba (The Lion King), Aladdin, Judy & Nick (Zootopia), Lupin (the 3rd), Hakuba (Magic Kaito),  Kotetsu (Tiger & Bunny), Light (Death Note), etc… I definitely have a type or two…

FAVORITE BOOKS: Ender’s Game/Ender’s Shadow, Black Beauty, The One Hundred and One Dalmatians, Ella Enchanted

FAVORITE BANDS/ARTISTS: Muse… also the Beatles… I like way too much. Panic! At the Disco. Fallout Boy. Nickelcreek. Sixpence None the Richer. Taylor Swift (1989 was so good guys). Depeche Mode. Linkin Park. 

DREAM JOB: Current job (graphic designer) + occasionally going on book tours and teaching at workshops/cons!
WHAT AM I WEARING RIGHT NOW: Baggy jeans, teal blouse thing, white tank top, fitbit
WHAT DO YOU POST ABOUT? “wah wah I’m tired” “wah I hate writing” “here is a drawing of a cat” 
DO YOU HAVE ANY OTHER BLOGS? Yeah, but I don’t really post much… I reblog stuff to @icklegab mostly.
WHEN DID YOUR BLOG REACH ITS “PEAK”? IDK. It hasn’t happened yet! I hope. 
WHO IS YOU MOST ACTIVE FOLLOWER?  Maybe @lemurcat ?? Or @mamodewberry

WHAT MADE YOU DECIDE TO GET A TUMBLR? idk I think people on a MUSH were talking about it. 

DO YOU GET ASKS ON A DAILY BASIS? LOL no way. I got asks when I was doing my Hakuba or Conan blog, but this account gets basically no asks. 
WHY DID YOU CHOOSE YOUR URL? ‘Gab’ is taken everywhere and ‘Gabpple’ is usually not. 
RELATIONSHIP STATUS: Married! 
PETS: 3 fat cats
WAKE UP: w-what? Why?? 
CATS OR DOGS: Bothhh. Kitties are easier, though.
COKE OR PEPSI: That depends on what it’s for/with. Pepsi is sweeter than Coke, so I like it with really salty stuff (popcorn, potatoes)… BUT the biggest determination is if it’s cold or not. Cold = Pepsi. Room temperature = Coke. 
DAY OR NIGHT: Evening. I’m crepuscular. Like a hamster. 
TEXT OR CALL: TEXT PLEASE. Unless you’re my mom. Then you can call. 
CHAPSTICK OR LIPSTICK: Chapstick. I don’t even own any lipstick. 
CITY OR COUNTRY? Suburbia. City has restaurants and stores. Country has quiet and critters. I will be in the middle kthanks. 
LAST SONG I LISTENED TO: An 8-bit remix of the Legend of Zelda theme. 

mylifewithfel:

jeanox:

digitaltutorials:

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This article was written by Phil Straub back in 2005, and it is as fresh and vital today as it was then. Phil’s tips and trick are timeless, and can help you make your images pop!

Composition is everything! No amount of detail in an illustration or Concept Painting will be successful without a strong composition foundation.

Composition in Environment Concept painting can be quite difficult since your focal point usually isn’t as obvious as in a character piece. In this introduction to Composition we will explore the fundamentals used to create exciting and functional compositions along with a variety of composition techniques. Initially I will show some successful examples of iconic composition, formal composition, the rule of 3rds, the golden rule, etc. There will be a discussion on what makes each piece successful and an explanation on why the artist chose to describe the scene using a particular form of composition.

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When you take the canvas area and divide it into ‘thirds’ Horizontally and Vertically, where the lines cross in the picture area is a ‘Golden Mean’, or the best spot in which to place your Main Subject or Object of Interest as it is the Focal Point of your picture. The golden rule originates from the Ancient Greeks, since they were great mathematicians as well as artisans, they came to the conclusion that there needed to be a certain balance in composition for it to be pleasing to the eye. They further developed this theory and defined what they called “power points,” Power points are located at the point where the lines used in the golden rule intersect. By placing a main subject on a power point, it further defined that subject as the focal point.

The golden rule can and usually is applied to a paintings canvas proportions. As you read through the following text you’ll notice that most of the imagery presented utilizes similar dimensions and almost all of them fall into the “golden rectangle.” Today you can find the Golden Rectangle almost everywhere: from credit cards to phone cards to book covers, all are shaped with its proportions. The Golden Ratio (the ratio of the longer and shorter sides of the Golden Rectangle) also appears in many natural phenomena. The ratio between the length of your nose and the distance from the bottom of the chin to the bottom of the nose is the golden ratio. The spiral growth of crustaceans follows the golden spiral. The divine proportions are an in-built (or in-grained) aesthetic parameter we judge beauty by.

The imagery [above] represents the division of space when the “golden rule” is applied to a blank canvas. Basically it is the division of a line in two sections, where the ratio between the smallest section and the largest section is identical to the ratio between the largest section and the entire length of the line. In other words A/B = B/(A+B). The ratio is about 1/1.618. Honestly, I’m still not exactly sure what that all means? but, I do know that I used this grid layout a-lot when I first started painting and found it helpful. I still do.

In the beginning you may find it useful to use this as an overlay for every concept piece you do. Having this grid float over your imagery as a reminder of where to place the objects of importance in the scene may help you as your develop your composition.

image

From the golden rule came the “rule of thirds” which is virtually the same concept but slightly altered to fit photographic proportions.I find it a bit easier to follow since it’s very simple in its origin.Here we have a look at the rule of thirds in action.

Notice that the main focal point sits right almost directly over one of the “golden means.” Additionally, other objects are placed near the other converging lines (the bird, for example) but, not directly on them, since that would create competition for the focal point.

There are Four Spots where these lines cross the Upper Left the Lower Left, the Upper Right and the Lower Right. Please note that all the “hotspots” are away from the center position in the picture frame.

The two best “power points” are the Upper Right and the Lower Right because the eye enters the picture frame at the lower left hand corner of the picture frame, travels to the center of the picture area and then reaches the right hand ‘Golden Mean’ position where it stops to look at the ‘Center Of Interest’.

The reason the eye enters a picture at the lower left side is because we are taught to read from Left to Right. This is a psychological fact that has been proven over the years. Next time you’re in an art gallery or art museum that shows the Old Masters paintings, notice how many have the Center Of Interest in the “Golden Rule” positions.

image

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‘Implied Forms’ are a combination of ‘Implied Lines’ and they help to hold a painting together. The eye enjoys these interesting forms and will stay in the picture area to examine each one of them, if they are present. The following text and sample imagery will demonstrate a variety of implied forms and composition approaches.

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The Circle is made up of a continuous ‘Curve’ and it’s circular movement keeps the eye in the picture frame. There are many circles in nature and man made objects. You can use the circle in a very obvious way in your composition or simply suggest it.

 The  image [below] is a very obvious and deliberate usage of circular composition. Notice how the circular shapes created by the dragons also follow a path that leads your eye towards the focal point.

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Another example of circular composition! Again, I chose this type of composition to enhance the feeling of motion in the piece. You can see how the eye follows the circular shapes across the picture plane to the focal point. Something interesting to note with this image, it actually uses two composition approaches at one time; circular composition and iconic composition.

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This has a ‘solid base’ and will show Stability. It also has Height and Strength. The Pyramids of Egypt have survived for thousands of years while other types of solid buildings have crumbled in to dust in less time. With the image below I was very deliberate with my arrangement of shapes so the triangle or pyramid composition is obvious. When I began this piece I simply started with a triangle shape as my starting point…nothing more than an abstract composition. I just let everything flow from there….and very quickly the painting began to take shape.

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Is a connection of ‘Lines’ meeting in the Center and an expansion of ‘Lines’ leaving the Center. The Radii is usually found in Nature Subjects. The best example of the man made Radii is the spokes of a wheel.

The eye has two ways to go when it comes upon the Radii. It can either be drawn in to the picture area or it can be led out of the picture area. You must be careful how you used the Radii and try to have the eye led into the picture.

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A showing of ‘Opposing Force’ that will give the picture a feeling of Cohesion and Relationship. The horizontal bar of the Cross will act as a “stopper’ while the vertical pole can act as a leading line. The windows in a large skyscraper will form crosses and will keep your interest in the building. The Cross also has religious meaning and the subtle use of the Cross can give hidden significance to an image.

In the painting below Hong Kuang uses the cross composition subtly. One could argue this piece is also using an “L Composition.” The strong line across the horizontal center that’s being formed by the characters body suggests “The Cross.” The somber facial expression and subject matter demonstrate an experienced artist’s ability to use symbolic composition to help tell a narrative.

To the right of that is  Daryl Mandryk’s work which  successfully combines a Cross composition with iconic composition. This is common composition choice for themes of heroism or comics. Fantasy artists like Brom and Frazetta use this type of composition in their work regularly.

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This makes an attractive ‘frame’. It can be used to accentuate important subjects. Many times it is a ‘frame’ within a ‘frame’.

A tree with an overhanging branch at the ‘right’ side of the picture area will form a ‘Rectangle’ and help frame the Main Subject in the picture. By doing this you will make the Center of Interest stand out and be noticed clearly.

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Some Art theorists contend that the most important information in the image should be placed near the center of the picture plane. This may seem confusing to some students since this contradicts many of the major principles of the “golden rule.” In general iconic composition should and can be used to describe a subject in a certain way. Iconic Composition or “Formal Subdivision” applies best to subjects of a dignified or religious nature. This style of composition was the approach of choice in earlier times and many excellent compositions have been made with it. Usually Iconic composition is used to describe symbolic subjects, heroic subjects, or religious subjects.

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I’ve taken the liberty of drawing over this imagery to demonstrate the division of space in iconic composition. This is a technique used by many illustrators to help define the division of space and focal point when creating an iconic illustration. Well know and renowned illustrator Andrew Loomis used this technique extremely well and his book “Creative Illustration” to demonstrate this further.

Notice, that while the focal point is slightly off center, all the converging lines lead to the center point of interest. Additionally, notice how the figures head sits directly in the diamond shape of the overlay lines I’ve created. It should also be noted that I chose this composition to further enhance the regal and heroic appearance of the character.

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Tong Wu uses Iconic composition perfectly here! Notice how the character again falls nearly at center of the canvas. I’ve taken the division of space a bit further on this imagery and have broken down the image into smaller segments so you can so how the artist balances everything in the piece.

Notice how the top right corner is almost a mirror image of the top left corner. In fact, look at almost any opposing segment in the painting, they are very similar! When creating iconic composition, it’s not necessary to duplicate each side exactly, but there should be a feeling of complete equalization of the units or masses, the line and spaces of one side with the other.

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So, there you have it, a variety of ways to deal with division of space when you first begin visualizing a painting or drawing. At the end of the day, theses approaches to composition are guides and simply a place to start. Once you become more comfortable with composing a scene you can begin to push the boundaries of formal composition.

Since most Environment Concept Artists work in the entertainment industries, its expected you will be asked to create cinematic moments or “memorable moments” utilizing the environment as a stage.

 You’ll want to use your mastery of composition to lead the viewer’s eye and really make the viewer feel like they’re in the scene. The single most important thing you simply must have in any Environment Concept Painting is a clear and dynamic focal point.

 Without a place for the viewer’s eye to rest, the painting will lack impact and won’t hold the attention of your audience. It’s the job of the Concept Artist to visualize what can’t be visualized in reality. Concept Artists are the first step in every production and therefore must create dynamic imagery that the rest of the team will be excited to build. There are a few cinematic tricks that you can use as a Concept Artist to make things appear more dynamic.

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Sometimes all it takes to add an extra bit of drama to your composition is a simple tilt of the camera. In the image to the right the viewer really feels like they are part of the action, simply by slanting the camera a bit. This approach is especially useful when you are trying to depict action in your environment.

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Many Concept Artists today, myself included, use perspective as a tool to create dynamic compositions that appear to have motion and lead the eye to the focal point clearly and concisely.

In the painting below you will notice I’ve used many of the objects that appear in the painting as opportunities to further guide the viewer to the “payoff.” Additionally, I tilted the camera a bit to add to the action.

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http://www.cgsociety.org/index.php/CGSFeatures/CGSFeatureSpecial/phil_straub_composition_tutorial

One of the most influential tutorials I ever read when I was first starting out. I still find this insanely useful, actually. So here you go. 🙂

what separates grownups from babies, composition.

A Game of Chase

Some of you know that once I finish Spark (a dcmk fanfic), I’m going to write another Detective Conan/Magic Kaito fic called A Lovely Day for Murder, aka Hakuba’s life storyI’ve been working on an outline off and on for the past few months, and writing practice snippets. Third person? First? I think it’ll likely be in first person, and written in the style (as best as I can manage) of The Adventures of Sherlock Holmes. 

We’ll see how that goes. 

In the meantime, here are the 1,300~ words that I wrote tonight as an experiment and distraction from the novel that I SHOULD be finishing but am not. Yet. It’s the setup for a heist, and may or may not end up in the fanfic book.

Crazy sorry to mobile users; it’s long. I got a little carried away and didn’t actually edit it at all (do I ever?), but hopefully Hakuba fans will enjoy it anyway. 

A Game of Chase

The
weather that night was harsh and cold; not altogether unusual for
mid-November, but unpleasant for those members of the police force that
were sequestered to the courtyard outside of the Grande Plaza hotel.
Nakamori-keibu had his men poised like hungry hounds at the end of their
leashes, straining, ready to give chase and attack. Even so, there were
sniffles under rain slickers, and anxious shifting from the chilly air.
An enormous stone lion stood guard on either side of the broad
staircase into the ballroom, staring down at the crowd in impassive
silence. It set the mood. Three minutes left.

The
inspector sneezed, but didn’t let his eyes close, glaring at the triad
of double doors, each french lattice and glass. Inside, the woman with
the Miner’s Emerald necklace stood, smiling, watching the clock. The
pendant wasn’t priceless, but it was worth more than most of the
officers would make over the entirety of their career; cut in the shape
of a heart, glittering pavonine blues, greens, and purples. It sat over
the strip of cleavage exposed by her low-cut evening gown. She touched
the gem, then brought her finger to her lips, biting just the tip of her
glove with her teeth. She was excited. KID was going to steal from her, and he’d have to touch her to get it.

“You
look pleased,” said the young detective who stood next to her. “Do you,
perhaps, have an ulterior motive for taking his challenge?”

The
woman shifted her dark-eyed gaze to him, eyes moving from his
fair-skinned face, down his body, and to his leather shoes. He was
young, she knew, but the square of his jaw and his professional demeanor
made him feel so much older. The cut of fabric served him well,
too; tailored for his lean frame in a way that expressed where his
strengths were- broad shoulders, thick thighs -while giving such a
subtle curve to the slender areas. He was handsome, to be sure, and thus
far, she’d been impressed with his wit and observation- that was why
she’d hired him, after all -but his accusation gave her pause.
Irritation, perhaps? Something of that sort.

Yes, she was
older; forty-three and showing the maturity in her face. But she was
well-endowed in the chest, her body was toned and firm where it should
have been, supple where it wasn’t. She’d spent a fortune on her beauty,
and no young, foreign detective was going to spoil her fun, even if she had
considered taking him to bed before. No, tonight her prey was Kaitou
KID. She wanted him to touch her to take the gem, to get close and
personal, able to take in his scent, feel his hand on her skin, and
then… have the British boy to retrieve it for her.

“No,”
she answered after she’d given herself a moment to consider her
feelings. “Of course not, Hakuba-kun.” Even though he’d not corrected
her on the matter, she knew that he preferred ‘san’ to ‘kun,’ but he was
still a boy and she was his employer. And she loved watching the
little twitch at the corner of his left eye when she did it. For all of
his steel nerves and composure, she could get under his skin, and that
gave her immense pleasure. “I didn’t tell him to steal this, you know. That was his doing. I’m simply complying.”

The
young detective carded long, thin fingers through the fringe of blond
over his forehead and sighed, mouth curving into a faint smirk of
amusement. “If you insist, Miyako-san. But, if you’d like my opinion,”
he said, dropping his voice and leaning  closer to her- just a few
inches, but it was enough that she could feel his breath on her ear when
he spoke. “I hardly think your advertisement in the newspaper was
necessary.” He pulled back with a little wink, but there was a sort of
slow way that he did it… like it wasn’t a suggestion; it was a
warning.

The woman brushed her hand over the wisp of dark
hair that had fallen out of place with her detective’s words, and she
turned her head away, indignant. “Say what you like,” she sniffed. “Just
make sure that you’re able to stop that thief from getting away with
this.”

“Of course, Miyako-san.” The teen nodded, then
stepped away from his client to resume his position against the wall.
He’d been away from home for three months, four days, seventeen hours,
thirty-seven minutes, and… well, he snapped his watch shut and slipped
it back into the pocket of his trousers. In that time, he’d received no
shortage of patronizing treatment from strangers and colleagues alike.

Was
it because of his age? At seventeen, he’d clocked over three hundred
hours in the service of Scotland Yard, and far more than that with
private clients. Age shouldn’t have mattered at all. There were plenty
of young people who were brilliant and truly capable in their field, and
more than enough in the older generations that were not only
incompetent, but persistently ignorant, which was a crime in and of
itself. Perhaps it was his mixed heritage. Foreigners still weren’t
entirely trusted in Japan, and being half was regarded, at least by
some, as evidence of utter betrayal. Race didn’t matter to him,
either; nor nationality (unless you were from the States), or the other
‘protected topics’ of religion, sex, political party, etc. What mattered
was motive and intent.

But there were plenty of people who never much liked listening to sense and rational thought…

…which
led him to that evening. Hakuba had come to Japan for several reasons,
the strongest of which was the assassin Spider, who had targeted a very
famous and prolific Japanese thief. The very thief that had sent the
news of the heist, for which Nakamori and his men were prepared for. At
least, as far as that stubborn fool could be prepared.

He checked his watch again. Twenty two seconds. Twenty one. Twenty. Nineteen.

As
far as the media knew, Hakuba Saguru, only child of the Superintendent
General, was in the country for one purpose only: to catch Kaitou KID.
But, true to his word, he’d already caught the ruddy bastard. By their
second interaction, he’d done what no one else had been able to do. He
knew KID’s identity.

Fifteen. Fourteen. Thirteen.

Further,
he knew his address, his height, his weight, his age, the names of his
family members and closest friends, his grades in school, the marks on
his permanent records, his blood type, his taste in food, his style of
clothing, his scent, his hobbies, the timbre of his voice.

Six. Five. Four.

He
even knew several of Kid’s facial expressions and tells. There was
irrefutable proof. Documentation. And yet, despite all of this, Kid’s
alter-ego had repeatedly refused to confess. Every accusation had been
carelessly tossed aside. Every offer to help, every clue he’d left,
every corner he’d tried to squeeze information from had yielded nothing
but insults, indifference, and irritation. Kuroba Kaito knew that Hakuba
had figured him out. He knew that Hakuba knew that he knew, and yet. And yet.

One.

But
if the detective was anything, it was persistent. There were other ways
to catch a thief, after all, and if Kid refused to cooperate as his
civilian self, Hakuba would approach it during working hours. The risk
was considerably higher for them both, but he needed answers and
cooperation. Kid’s life depended on it.

“Ladies and gentlemen!”

Showtime.

All
at once, the Kid Task Force was in action, and chaos ensued. That was
just the sort of thing that Kid relished; it made it easier for him to
steal his target and make his escape. This was also well and good for
Hakuba, who felt a secret (or not so) satisfaction that the inspector
continually failed, largely in part because he refused to listen to the
young detective. He always offered good advice, reports, and statistics,
but but the keibu wasn’t interested in listening. He never was.
Regardless, it allowed Hakuba to move about in any way that he pleased;
part of the force, technically, but also not. Just as he was Japanese
and not, all at once.

He watched and waited for the
officers to cause their disturbances, and as soon as he saw that flash
of white cape heading for higher ground, Hakuba crept after. There were
plenty of places to hide in such a large hotel, and he wasn’t about to
let him get away. The service hallways were easily the least trafficked
and the best for someone such as Kid to traipse, so he followed the path
that would let him see KID and reach the darkened hallways all at the
same time.  

A Game of Chase

Some of you know that once I finish Spark (a dcmk fanfic), I’m going to write another Detective Conan/Magic Kaito fic called A Lovely Day for Murder, aka Hakuba’s life storyI’ve been working on an outline off and on for the past few months, and writing practice snippets. Third person? First? I think it’ll likely be in first person, and written in the style (as best as I can manage) of The Adventures of Sherlock Holmes. 

We’ll see how that goes. 

In the meantime, here are the 1,300~ words that I wrote tonight as an experiment and distraction from the novel that I SHOULD be finishing but am not. Yet. It’s the setup for a heist, and may or may not end up in the fanfic book.

Crazy sorry to mobile users; it’s long. I got a little carried away and didn’t actually edit it at all (do I ever?), but hopefully Hakuba fans will enjoy it anyway. 

A Game of Chase

The
weather that night was harsh and cold; not altogether unusual for
mid-November, but unpleasant for those members of the police force that
were sequestered to the courtyard outside of the Grande Plaza hotel.
Nakamori-keibu had his men poised like hungry hounds at the end of their
leashes, straining, ready to give chase and attack. Even so, there were
sniffles under rain slickers, and anxious shifting from the chilly air.
An enormous stone lion stood guard on either side of the broad
staircase into the ballroom, staring down at the crowd in impassive
silence. It set the mood. Three minutes left.

The
inspector sneezed, but didn’t let his eyes close, glaring at the triad
of double doors, each french lattice and glass. Inside, the woman with
the Miner’s Emerald necklace stood, smiling, watching the clock. The
pendant wasn’t priceless, but it was worth more than most of the
officers would make over the entirety of their career; cut in the shape
of a heart, glittering pavonine blues, greens, and purples. It sat over
the strip of cleavage exposed by her low-cut evening gown. She touched
the gem, then brought her finger to her lips, biting just the tip of her
glove with her teeth. She was excited. KID was going to steal from her, and he’d have to touch her to get it.

“You
look pleased,” said the young detective who stood next to her. “Do you,
perhaps, have an ulterior motive for taking his challenge?”

The
woman shifted her dark-eyed gaze to him, eyes moving from his
fair-skinned face, down his body, and to his leather shoes. He was
young, she knew, but the square of his jaw and his professional demeanor
made him feel so much older. The cut of fabric served him well,
too; tailored for his lean frame in a way that expressed where his
strengths were- broad shoulders, thick thighs -while giving such a
subtle curve to the slender areas. He was handsome, to be sure, and thus
far, she’d been impressed with his wit and observation- that was why
she’d hired him, after all -but his accusation gave her pause.
Irritation, perhaps? Something of that sort.

Yes, she was
older; forty-three and showing the maturity in her face. But she was
well-endowed in the chest, her body was toned and firm where it should
have been, supple where it wasn’t. She’d spent a fortune on her beauty,
and no young, foreign detective was going to spoil her fun, even if she had
considered taking him to bed before. No, tonight her prey was Kaitou
KID. She wanted him to touch her to take the gem, to get close and
personal, able to take in his scent, feel his hand on her skin, and
then… have the British boy to retrieve it for her.

“No,”
she answered after she’d given herself a moment to consider her
feelings. “Of course not, Hakuba-kun.” Even though he’d not corrected
her on the matter, she knew that he preferred ‘san’ to ‘kun,’ but he was
still a boy and she was his employer. And she loved watching the
little twitch at the corner of his left eye when she did it. For all of
his steel nerves and composure, she could get under his skin, and that
gave her immense pleasure. “I didn’t tell him to steal this, you know. That was his doing. I’m simply complying.”

The
young detective carded long, thin fingers through the fringe of blond
over his forehead and sighed, mouth curving into a faint smirk of
amusement. “If you insist, Miyako-san. But, if you’d like my opinion,”
he said, dropping his voice and leaning  closer to her- just a few
inches, but it was enough that she could feel his breath on her ear when
he spoke. “I hardly think your advertisement in the newspaper was
necessary.” He pulled back with a little wink, but there was a sort of
slow way that he did it… like it wasn’t a suggestion; it was a
warning.

The woman brushed her hand over the wisp of dark
hair that had fallen out of place with her detective’s words, and she
turned her head away, indignant. “Say what you like,” she sniffed. “Just
make sure that you’re able to stop that thief from getting away with
this.”

“Of course, Miyako-san.” The teen nodded, then
stepped away from his client to resume his position against the wall.
He’d been away from home for three months, four days, seventeen hours,
thirty-seven minutes, and… well, he snapped his watch shut and slipped
it back into the pocket of his trousers. In that time, he’d received no
shortage of patronizing treatment from strangers and colleagues alike.

Was
it because of his age? At seventeen, he’d clocked over three hundred
hours in the service of Scotland Yard, and far more than that with
private clients. Age shouldn’t have mattered at all. There were plenty
of young people who were brilliant and truly capable in their field, and
more than enough in the older generations that were not only
incompetent, but persistently ignorant, which was a crime in and of
itself. Perhaps it was his mixed heritage. Foreigners still weren’t
entirely trusted in Japan, and being half was regarded, at least by
some, as evidence of utter betrayal. Race didn’t matter to him,
either; nor nationality (unless you were from the States), or the other
‘protected topics’ of religion, sex, political party, etc. What mattered
was motive and intent.

But there were plenty of people who never much liked listening to sense and rational thought…

…which
led him to that evening. Hakuba had come to Japan for several reasons,
the strongest of which was the assassin Spider, who had targeted a very
famous and prolific Japanese thief. The very thief that had sent the
news of the heist, for which Nakamori and his men were prepared for. At
least, as far as that stubborn fool could be prepared.

He checked his watch again. Twenty two seconds. Twenty one. Twenty. Nineteen.

As
far as the media knew, Hakuba Saguru, only child of the Superintendent
General, was in the country for one purpose only: to catch Kaitou KID.
But, true to his word, he’d already caught the ruddy bastard. By their
second interaction, he’d done what no one else had been able to do. He
knew KID’s identity.

Fifteen. Fourteen. Thirteen.

Further,
he knew his address, his height, his weight, his age, the names of his
family members and closest friends, his grades in school, the marks on
his permanent records, his blood type, his taste in food, his style of
clothing, his scent, his hobbies, the timbre of his voice.

Six. Five. Four.

He
even knew several of Kid’s facial expressions and tells. There was
irrefutable proof. Documentation. And yet, despite all of this, Kid’s
alter-ego had repeatedly refused to confess. Every accusation had been
carelessly tossed aside. Every offer to help, every clue he’d left,
every corner he’d tried to squeeze information from had yielded nothing
but insults, indifference, and irritation. Kuroba Kaito knew that Hakuba
had figured him out. He knew that Hakuba knew that he knew, and yet. And yet.

One.

But
if the detective was anything, it was persistent. There were other ways
to catch a thief, after all, and if Kid refused to cooperate as his
civilian self, Hakuba would approach it during working hours. The risk
was considerably higher for them both, but he needed answers and
cooperation. Kid’s life depended on it.

“Ladies and gentlemen!”

Showtime.

All
at once, the Kid Task Force was in action, and chaos ensued. That was
just the sort of thing that Kid relished; it made it easier for him to
steal his target and make his escape. This was also well and good for
Hakuba, who felt a secret (or not so) satisfaction that the inspector
continually failed, largely in part because he refused to listen to the
young detective. He always offered good advice, reports, and statistics,
but but the keibu wasn’t interested in listening. He never was.
Regardless, it allowed Hakuba to move about in any way that he pleased;
part of the force, technically, but also not. Just as he was Japanese
and not, all at once.

He watched and waited for the
officers to cause their disturbances, and as soon as he saw that flash
of white cape heading for higher ground, Hakuba crept after. There were
plenty of places to hide in such a large hotel, and he wasn’t about to
let him get away. The service hallways were easily the least trafficked
and the best for someone such as Kid to traipse, so he followed the path
that would let him see KID and reach the darkened hallways all at the
same time.  

I did, in fact, take nyquil and go to bed last night instead of trying to write… which was good because I swear my brainmeats were being boiled. And then I had a dream about my dad, who passed away almost five years ago. He shows up in my dreams on occasion and makes (very dry) commentary on what’s going on, usually, but last night I was the one who gave him advice. 

He and his band guys were trying to figure out a way to make ends meet by playing music instead of having a day job. They wanted to be rock stars, you know, so this was a legit thing. But the method they felt they had to go about it was to play backup for other people at parties… like, a live karaoke band… and then they would get to play their own songs on occasion. So people would hire them for their big fancy birthday parties and take center stage and sing terribly, while my dad and the rest of the band played. And none of them were happy. 

So he came home late one night from one of these (I guess I was in high school still for the dream), and I asked how it went and he said that he was tired. Bone-weary tired. Like doing the thing he loved was slowly killing him because it was only a shadow of what he really wanted to do… and that he no longer had time to do it because they were so busy catering to other people.

In my infinite wisdom (?!?!) I told him to make sure that he was leaving enough time for the things that he was truly passionate about. And if doing this was eating up all that time, it wasn’t worth it.

The dream ended there, because I guess I was SLEEP TALKING and Aaron was like ??? and I repeated the advice. 

Aaron: Uhh…
Me: am I sleep talking?
Aaron: yeah I think so
Me: well it’s still very good advice.
Aaron: yeah that’s true

So anyway. This is not to say that all day jobs are bad. On the contrary, I love mine to pieces and I think that it’s greatly helped me with my craft(s). But you absolutely must make time for those things or you won’t be happy. For my dad, it was music. For me it’s storytelling. It’s so easy to get caught up in the nonsense of every day life, but it’s vastly important to remember that your heart NEEDS you to feed it the things that make life worth living. 

I did, in fact, take nyquil and go to bed last night instead of trying to write… which was good because I swear my brainmeats were being boiled. And then I had a dream about my dad, who passed away almost five years ago. He shows up in my dreams on occasion and makes (very dry) commentary on what’s going on, usually, but last night I was the one who gave him advice. 

He and his band guys were trying to figure out a way to make ends meet by playing music instead of having a day job. They wanted to be rock stars, you know, so this was a legit thing. But the method they felt they had to go about it was to play backup for other people at parties… like, a live karaoke band… and then they would get to play their own songs on occasion. So people would hire them for their big fancy birthday parties and take center stage and sing terribly, while my dad and the rest of the band played. And none of them were happy. 

So he came home late one night from one of these (I guess I was in high school still for the dream), and I asked how it went and he said that he was tired. Bone-weary tired. Like doing the thing he loved was slowly killing him because it was only a shadow of what he really wanted to do… and that he no longer had time to do it because they were so busy catering to other people.

In my infinite wisdom (?!?!) I told him to make sure that he was leaving enough time for the things that he was truly passionate about. And if doing this was eating up all that time, it wasn’t worth it.

The dream ended there, because I guess I was SLEEP TALKING and Aaron was like ??? and I repeated the advice. 

Aaron: Uhh…
Me: am I sleep talking?
Aaron: yeah I think so
Me: well it’s still very good advice.
Aaron: yeah that’s true

So anyway. This is not to say that all day jobs are bad. On the contrary, I love mine to pieces and I think that it’s greatly helped me with my craft(s). But you absolutely must make time for those things or you won’t be happy. For my dad, it was music. For me it’s storytelling. It’s so easy to get caught up in the nonsense of every day life, but it’s vastly important to remember that your heart NEEDS you to feed it the things that make life worth living. 

To-do list for portfolio (for my reference, really):

  • Paint troll picture, jane, nellie, hedgehog
  • Scan unicorns, dogs, horses, nellie, robot
  • Scan & redo xander, monster (decided not to do this)
  • Sketch, paint, finish Daksh
  • Find a pair for Jane and Xander
  • Write title/short-desc for all
  • Write short bio for me
  • Figure out how to do a business card pocket (maybe)
  • Narrow down title & desc font from list of 25 Done!

…at least there’s only one that I need to do from scratch. The others are at LEAST sketched or partially inked. 

And hey, I think that’ll fill 15 pages nicely! Then all I’ll have to do is figure out what to do for my cover… if anything… I at least figured out that it’ll be 36 “pages” total and use 9 pieces of paper, which is cool. Deep breath. Slow exhale. I can totally do this. 

Oh, and Fishsticks is at 47,000 words now. Still not at 75k, obviously, but getting there. I’m traipsing through the murky middle and rethinking some of the timeline, which would involve a LOT of work… I may just finish it as-is and worry about that in the next round of revisions, AFTER the conference. Or, you know, ask their advice about it. 

To-do list for portfolio (for my reference, really):

  • Paint troll picture, jane, nellie, hedgehog
  • Scan unicorns, dogs, horses, nellie, robot
  • Scan & redo xander, monster (decided not to do this)
  • Sketch, paint, finish Daksh
  • Find a pair for Jane and Xander
  • Write title/short-desc for all
  • Write short bio for me
  • Figure out how to do a business card pocket (maybe)
  • Narrow down title & desc font from list of 25 Done!

…at least there’s only one that I need to do from scratch. The others are at LEAST sketched or partially inked. 

And hey, I think that’ll fill 15 pages nicely! Then all I’ll have to do is figure out what to do for my cover… if anything… I at least figured out that it’ll be 36 “pages” total and use 9 pieces of paper, which is cool. Deep breath. Slow exhale. I can totally do this. 

Oh, and Fishsticks is at 47,000 words now. Still not at 75k, obviously, but getting there. I’m traipsing through the murky middle and rethinking some of the timeline, which would involve a LOT of work… I may just finish it as-is and worry about that in the next round of revisions, AFTER the conference. Or, you know, ask their advice about it.