anatomicalart:

Quickest way to improvement? Practice. It’s a simple bit of advice that rings with absolute truth. Articles, tips, mentors, and study will never get you as far as rolling up your sleeves and getting down to work, be it animation or any other skill. Today we’ve compiled a list of exercises, like animation push-ups, that will get your art skills buff and toned.

Maybe you still need convinced of how important the “Art of Doing” is? Look no further than the early days of animation, especially at the Disney studio. Here were a group of animators (before being an animator was even a thing) who HAD no books to read, or websites to visit, or even experienced animators to ask. They learned via the age old art of hands-on training, experimenting and discovering as they went. And some would argue they created some of the greatest animation to ever be seen. Masterpieces like the dwarfs dancing in Snow White or the terror of the Monstro scene in Pinocchio. So be like them! Get out there and do animation!

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Some of these exercises you may have done or seen before; some maybe not. Consider doing each of them, even if you did once previously, because returning to an old exercise to see how much you’ve progressed is a very valuable experience.

Level 1 Exercises

(Do not discount their simplicity! Here you have the principals of animation, which all other animation is built on. They are worth your time and effort.)

  1. Ball Bouncing in place, no decay (loop)
  2. Ball Bouncing across the screen
  3. Brick falling from a shelf onto the ground
  4. Simple character head turn
  5. Character head turn with anticipation
  6. Character blinking
  7. Character thinking [tougher than it sounds!]
  8. Flour Sack waving (loop)
  9. Flour Sack jumping
  10. Flour Sack falling (loop or hitting the ground)
  11. Flour Sack kicking a ball
Level 2 Exercises
  1. Change in Character emotion (happy to sad, sad to angry, etc.)
  2. Character jumping over a gap
  3. Standing up (from a chair)
  4. Walk Cycle [oldie but goodie!]
  5. Character on a pogo stick (loop)
  6. Laughing
  7. Sneezing
  8. Reaching for an object on a shelf overhead
  9. Quick motion smear/blur
  10. Taking a deep breath [also tougher than it sounds!]
  11. A tree falling
  12. Character being hit by something simple (ball, brick, book)
  13. Run Cycle
Level 3 Exercises
  1. Close up of open hand closing into fist
  2. Close up of hand picking up a small object
  3. Character lifting a heavy object (with purpose!)
  4. Overlapping action (puffy hair, floppy ears, tail)
  5. Character painting
  6. Hammering a nail
  7. Stirring a soup pot and tasting from a spoon
  8. Character blowing up a balloon
  9. Character juggling (loop)
  10. Scared character peering around a corner
  11. Zipping up a jacket
  12. Licking and sealing an envelope
  13. Standing up (from the ground)
  14. Pressing an elevator button and waiting for it
  15. Starting to say something but unsure of how
Level 4 Exercises
  1. Character eating a cupcake
  2. Object falling into a body of water
  3. Two characters playing tug-of-war
  4. Character dealing a deck of cards out
  5. The full process of brushing one’s teeth
  6. A single piece of paper dropping through the air
  7. Run across screen with change in direction
  8. Sleeping character startled by alarm then returning to sleepy state
  9. Opening a cupboard and removing something inside
  10. Putting on a pair of pants
  11. Opening the “world’s best gift” and reacting
  12. Any of the above exercises using a very heavy character/object next to a very light character/object. Enhance the differences the weight change makes!
Things to keep in mind:
  • Reading these exercises will do as much for you as reading about push-ups would do for your physical muscles: NOTHING. If you want the benefit, you must animate them. Take a deep breath and just do it.
  • Do not forget the famous words of Ollie Johnston: “You’re not supposed to animate drawings [3D models]. You’re supposed to animate feelings.” If a character isn’t thinking, they aren’t alive, and the animation has failed.
  • Keep it simple! There is no reason to over complicate any of these exercises. Going back to push-ups, would push-ups be harder if while doing them you also recited the Gettysburg Address? Yes. Would they be any more beneficial? No. Keep things nice and simple and clear.
  • Do your best. There is no reason to do these exercises poorly. Give it your all. You don’t have to show anyone, these are for you. You owe it to yourself to try your very best. Something not quite right? Take the time to fix it.
  • As always, have fun. Push ups are not fun. Animation is supposed to be. Be joyful in your work!

Have any questions about the exercises above? Leave a comment below and we’ll answer them the best we can! Someone else may be wondering the exact same thing, so you’ll help them too. Likewise if someone is looking for possible exercises, why not share a link to these and give them a hand?

Article featured on AnimatorIsland.com 
[Source]
Article composed by J.K. RIKI
MARCH 18, 2013
Follow @AnimatorIsland on Twitter for more updates tips and tricks.

jonathanlarscn:

the thing that makes me really appreciate the whole “i love you” / “i know” exchange in the empire strikes back is that, this whole time, han has been urging leia for some sign of affection, of validation, in terms of his feelings for her. han has made it clear that he likes her, but leia has been hiding or denying her affection towards him almost entirely. i think the reason han is so forward about it is that he hopes this will get her to admit it, not because he’s vain but because he needs his own feelings to be validated. after they kiss, he’s very outwardly affectionate, taking and holding her hand often, kissing her on the forehead, as if he’s purposely being somewhat obvious to make sure she notices, to test the waters, to see if she wants him to be as affectionate as he does. but even through all of his demonstrative behavior, leia is still pretty distant.

so in this crucial moment, she realizes that she’s never fully admitted how she feels, and that he needs to know. it’s not so much a “this could be my last chance to say it” moment, but a “this could be your last chance to hear it” moment. it’s true and she knows it, but she says it for him. she says it because she sees that he has to finally hear it. so his “i know” response isn’t cocky, it’s reassuring. it’s telling her not to be worried, because even though she’s never told him, han has always known.

drunktrophywife:

chelsea-platypus:

Adopting children should not be seen as a last resort. There are amazing children in our foster care system just waiting to be adopted! I am very proud of my parents for adopting 3 biological siblings from foster care into our family, and wouldn’t have it any other way

I’m crying

mochiiron:

mochiiron:

“Marry someone who you love. Marry your soulmate, your lover, your best friend.” (x)

Happy (belated) birthday sweet newtongirl!!

As always, I’m very sorry about the delay (2015 must be the year I deliver birthday presents very late) but I hope you will still enjoy this married MakoHaru comic through their live because I know you appreciate domestic/married MH as much as I do (*ノωノ) 

I’d have loved to draw the whole poem but, too long, not for me ;_;

Also, one of my secrets is that I have 2 drafts on this account that are nothing but photos of me through the years. Sometimes I look at them and squint.

Another secret is that there is definitely a very easy-to-find photo of me online, so I am not completely hidden. 

I may take photos of new haircut after color. The stylist has suggested we do chocolate brown with caramel highlights and I am totally on board, especially since her hair is exactly the base color I want.

bfmvinamusicbox:

coca-cola-anne:

You may not be able to see your own beauty or love yourself but one day, someone will. You have only lived such a small part of yourself, you will never know what the future brings. So, keep going. Hold on. You are never alone. ♥

if you need someone to talk to, I’m here. Anon or not, and I don’t care if you follow me or not.