Speaking of bad ex-boyfriends, I would love to know the process that, for example, you had in NLA to write the character of Niko, I would like to know because I always wondered the perspective that people could have with him or people like him in the real world, like vitya I think there were things that were not so simple to identify (when things are good and then are bad, but in a toxic way) if you are a young person or with little experience in love or what love is. How did you decide to give him those characteristics as a character and why, what things did you want to emphasize to make it known that Niko was not a good boyfriend and that was not love either. And what is the difference that he had with Yuuri, and how was the whole process to make that difference when you decided to include the theme of healthy relationships in the fic. I think a lot of people can identify with it and be in a relationship that they don’t realize it’s not good for them or love them like they deserve to be loved :(. And the impact it had on Viktor, for example, when he realized that with Yuuri he felt more comfortable with his body, even in the sexual way, that it meant more and he was looking for it more. The confusion that was for him not knowing that was “normal” in a relationshipI’m really curious about that process and how you decided to handle it, gosh forgive me now for the huge text.I hope I made myself understood, be patient with me english is not my first language shsjsjysšŸ’– šŸµ so I apologize if I didn’t, please let me know and THANK YOU :’)

Your question is great and I understood you perfectly! No worries at all.

I suppose Niko is where I should have started with the question, as he’s probably the best example of processing trauma/navigating through life with writing that I have.

(For those who aren’t aware, in the Yuri!!! on Ice fic Never Look Away, we give young Viktor a boyfriend named Niko– and in case it wasn’t obvious, he was NOT a good one.)

I knew early on in the outline-drafting phase of NLA that we wanted to give Viktor someone in his life that would leave a lasting, negative impact. We toyed with a few ideas, but long before the end of the series, we knew that his “first lover” was the perfect candidate. Since my job was writing Viktor, I created Niko to fill the role, and boy-howdy was there a lot in my own life to draw on.

I won’t name names or be too specific, but Niko is based on the common traits that I saw in my own ex boyfriends (and ex friends, etc), as well as those I saw in my friends’ lives. Some of them were easier to get over than others, but all had a huge impact on my life. It would have been easy to create this horrible, nasty villain and call it a day, but that wouldn’t have served justice for the story OR for Vitya, so I had to go a step deeper.

A truly believable character, even one you’re supposed to hate, is one that feels real. So I had to find reasons to love him, myself. I gave Niko the name he has because it’s one of my most favorite names. I had to recall what it was like to be a touch-starved teenager, longing for acceptance and attention, and what I might look for in a love interest. Now as an adult, I know SO much more than I did, and it’s easier to contextualize, but like you said, the inexperienced don’t have that luxury.

It was the same for me and the exes (of varying kinds). None of the relationships really started out toxic. Most of them were young, too, after all… and still trying to figure out who they were/how to navigate in their own lives. I wanted to give Niko the benefit of the doubt at first, and so did Vitya. He wasn’t always a terrible person, but it was his choices and the way he interacted with others that really cemented his being a bad guy.

That is to say, no one is all good or all bad. If I were going to write him properly, I had to understand his own motivations, hopes, desires, and dreams. That helped me to look at my exes that way, too. A lot of the fights we had boiled down to miscommunication and pride on both sides. Vitya was young and impulsive. Niko was fighting his own insecurities and feeling pressured. Did they love each other? Sure, at some point or another, but they were ultimately incompatible, and that can only last so long before something had to give.

I think that’s where we come to the other part of your ask– Niko vs Yuuri. Something I really love in NLA was we got to do a LOT of comparison/contrast between the different character dynamics and relationships, which is what the series also excels at.

Where Niko refused to give in and made Vitya lead in all things, Yuuri was all about being expected to take charge and meet in the middle. They’re both extremely stubborn, but Yuuri wanted to do the work and thinks of Viktor’s well-being, while Niko is only worried about himself and how things impacted him.

It’s like the fine line between being possessive and being protective. Niko wanted to keep Viktor like a prize; Yuuri wanted to earn his place by Viktor’s side.

Several of the scenes in the fic (both NLA and Vitya Diaries) are based on things that happened to me with the folks I based Niko off of. It has taken me a long time to get through it, and I still struggle from the past abuse, but thankfully I have good people supporting me now, and that helps. It’s a long process to come from feeling worthless and put down, to taking a stand for yourself, to then realizing you’re worthwhile, just as you are. But like we say in NLA, and I hope it comes through, love is real and patient love is healing.

I’m very grateful that I had the opportunity to not only experience that myself, but to explore it in writing for others, as well.

I hope that answers your question. Feel free to send more if needed. I’m happy to help in any way I can. šŸ™‚

Hi senpai šŸ¤ in what ways has writing helped you process trauma and/or navigate through your own life?

Hello there!

Gosh. Get ready for a wall of text. :’)

Writing has been an extremely cathartic outlet for me over the years. Every character that I write (especially the protagonists) have a piece of me in them– usually fears, challenges, similar experiences, etc –and working through their arcs helps me to work through them, too. I strongly empathize with characters, so it not only feels like I’m also getting through stuff, but I’m with a beloved character for the journey. That’s part of why I write in the first place… not just for me, but for the readers, too. We’re all going through things, and we don’t have to do it alone.

The research needed to write certain situations/issues, and that degree of separation (searching for a character, not myself) makes it easier to process and accept, too.

It’s a safe way to explore and learn, and find others in the same position.

But here are a handful of examples to provide a more concrete answer to your question:

When our house was broken into several years ago, I was able to stay calm and get help because of the research/writing I’d done for detective characters. I did nothing reckless and I knew what information they would be requesting, which helped to hold off the oncoming panic attack.

Speaking of panic attacks, MANY of the characters I write suffer through them, and while it’s very difficult and painful to write these, going through them myself is a lot easier now because I have it in the back of my head to memorize what’s happening for writing later… It’s that degree of separation. LOL. I also know more/better coping methods to handle them, too, and what not to do. In NLA, we have Viktor go through it a couple of times, and it was physically PAINFUL to write. But I always felt better coming out the other side, and it seems the readers felt seen, too.

I won’t get started on the writings of bad ex boyfriends, but THAT was very cathartic, too. šŸ™‚

Writing also helps me to examine my biases. I grew up in a VERY!!!! conservative culture, where so much was condemned as hell-burning sin. I still struggle with the guilt of that for my own “shortcomings” and may always feel that way. But getting to know characters (original and fanfic-wise) from different walks of life, researching their backgrounds, etc… has really made me a more rounded, accepting person, and I’m so grateful for that. There’s SO MUCH I need to learn about the world.

Embarrassingly, there was a time when polyamory was legitimately triggering for me because of how I was raised. Any mention of a threesome, ot3, throuple, etc. would have me running the other way. Safely exploring fiction with folks I trust has given me better perspective, both for the acceptance of polyamory (yay!) and separating it from the harmful abuse of my upbringing (ie, being told that I would be required to share my spouse in the afterlife because God said so and that if I wasn’t okay with that, I had a lack of faith, etc)… since they’re not at all the same thing.

I’ll leave it at that, but if there’s anything specific you’d like to know, please feel free to send another ask!

Thanks!

šŸ’Œ

Thank you!

“share something with us about an up-and-coming work (WIP) that has you excited!”

In the YOI Mafia AU, I’m writing Viktuuri again. Does that count? I’m super stoked because they’re RIDICULOUSLY head over heels for each other despite only knowing one another for a few days in this AU, and I can’t??? stop them from doing what they do. Which isn’t a problem, mind; that’s what this fic is for/about. But it’s nice to come back to them, especially now that NLA has been done for a couple of years. :’)

Ask for more

Have you seen a lot of author/illustrators who are also interested in just writing MG? I’m an author illustrator but I have several MG stories that I feel are better expressed in word. Do you think publishers are going to perfer these creators to incorporate their art rather than just words since they have been doing the illustration work for several years and sort of established a name?

literaticat:

I don’t think there’s anything wrong with an author/illustrator sometimes writing picture books that they DON’T illustrate, or sometimes writing novels or something else – but no, I haven’t seen many popular illustrators who both write and illustrate picture books and also write entirely prose novels. I’m sure there (probably) are some, but… all the ones I can think of who do both PB and MG, their MG novels are very much also illustrated.

For example: Peter Brown (THE WILD ROBOT series), Adam Rex (TRUE MEANING OF SMEKDAY), Brian Selznick (INVENTION OF HUGO CABRET, etc), Lynda Barry (wrote the YA novel CRUDDY) – and I rep Phoebe Wahl, who is currently writing a YA novel that was just announced – all of these are MG/YA by well-established author/illustrators… but all of them are highly illustrated.

I don’t think, though, that that’s because the publishers “prefer” it, or are MAKING them illustrate or something like that? I’m sure if one of these creators wrote a really great all-prose novel with zero illustration elements, a publisher would be delighted by that as well. It’s just that… well, they are gifted illustrators, they probably think very visually and bringing a visual element to these books for older readers that makes those books even MORE special. I don’t think any of these illustrators would have pitched a completely non-illustrated book – it just wouldn’t make sense for these books. With no illustrations all of these books would still be good – but with them, they are spectacular, the illustrations are intrinsically part of what makes the books special. So…

I mean again – it’s all about the book. If you have a great all-prose novel up your sleeve, that’s fine, and I don’t think anyone would MAKE YOU illustrate it. I just don’t really personally KNOW of any popular illustrators who also write long-form unillustrated fiction. Though they might well be out there!

ETA: I thought of one! Kevin Henkes has written MG novels (non-illustrated)!!!

When can I expect new update for never look away? I’ve been missing it. Sorry if I am seem rude. I didn’t intend to be.

No worries! There’s no harm in asking. šŸ™‚Ā 

Chapter 27 of Never Look Away is currently at 21,000 words and counting, with 7 to-dos remaining, plus beta and revision… I’ve been at a hotel working on it all weekend, and will keep at it as I’m able to between zine projects and my full-time job. I’m REALLY hoping we can post it this week!

In the meantime, have you read Vitya Diaries?Ā  It’s NLA canon and supplementary to the fic. While it’s not necessary to enjoy NLA, it does add to our Viktor’s backstory, and is currently 88,000 words to enjoy! You can find it here:Ā https://archiveofourown.org/works/11799600/chapters/26615346

ALSO, please follow our twitter accounts for more frequent updates on where we’re at with the chapters. We tend to talk about the fic a lot there. I’ve been lamenting about my writing crimes all weekend (and posting the occasional snippet from the upcoming chapter)…

Me:Ā https://twitter.com/gabapple

@mamodewberry:Ā https://twitter.com/mamodewberry

Hope that helps! Our boys will be back together soon. <3Ā 

image

When can I expect new update for never look away? I’ve been missing it. Sorry if I am seem rude. I didn’t intend to be.

No worries! There’s no harm in asking. šŸ™‚Ā 

Chapter 27 of Never Look Away is currently at 21,000 words and counting, with 7 to-dos remaining, plus beta and revision… I’ve been at a hotel working on it all weekend, and will keep at it as I’m able to between zine projects and my full-time job. I’m REALLY hoping we can post it this week!

In the meantime, have you read Vitya Diaries?Ā  It’s NLA canon and supplementary to the fic. While it’s not necessary to enjoy NLA, it does add to our Viktor’s backstory, and is currently 88,000 words to enjoy! You can find it here:Ā https://archiveofourown.org/works/11799600/chapters/26615346

ALSO, please follow our twitter accounts for more frequent updates on where we’re at with the chapters. We tend to talk about the fic a lot there. I’ve been lamenting about my writing crimes all weekend (and posting the occasional snippet from the upcoming chapter)…

Me:Ā https://twitter.com/gabapple

@mamodewberry:Ā https://twitter.com/mamodewberry

Hope that helps! Our boys will be back together soon. <3Ā 

image

blueannawriting:

aarynjessen:

maggie-stiefvater:

fracturedbitsofstarlight:

maggie-stiefvater:

Oh man, guys, I really like this book I’ve written.

I had to reread that because I have never seen a writer say that ever and as a writer I envy you.

WHAT

There are so many comments on this post to this effect.

Dude! writers, artists, do what you need to do to gain objectivity and feel satisfaction for what you’ve done!

Art as pain and pain as art and the Eternal Dissatisfaction of the Poignant Creatorā„¢ is so 19th century.Ā 

Creating the art you wish you could see in the world but don’t, and then being fucking PSYCHED when you’ve done itā„¢ is very 2018.

My love for this post tripled when I noticed who the op is.

Holy shit thats Maggie stiefvater

Me writing fanfic:

linneakou:

stars8melanin:

roostertease-it:

  • Too, many, commas,,,Ā 
  • Is this ooc??Ā 
  • I used that word alreadyĀ 
  • Do people even blush this much??Ā 
  • *squints* Is that canon?
  • Tropes
  • Ā *cries while writing death scene*Ā 
  • Wait what happened last chapter?Ā 
  • I wrote like a thousan- 354 words!?Ā 
  • *googles the lifespan of a tropical fish*Ā 
  • have I spelt his name wrong all this time?Ā 
  • Would they say that tho?Ā 
  • Changes plot 539932 timesĀ 
  • Loses inspiration, goes back to tumblr

Me all day

@gabapple

*changes Tumblr to Twitter, rebagels… to Tumblr.* ? yeah this checks out

maxkirin:

ā€œThis sentence has five words.Ā Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals—sounds that say listen to this, it is important.ā€Ā – Gary Provost

Want more writerly content? Follow: maxkirin.tumblr.com!

writing meme

Tagged by @seeingteacupsindragons – thanks! šŸ˜€Ā 

Rules: Post the last sentence you wrote in your story/piece of writing and then tag as many people as there are words in the sentence.

There was something about the dark, and having someone so close; an almost sort of anonymous intimacy that let you confess what you couldn’t any other time.

27 people? omg… uhhh

@mamodewberry @anyahatesbunnies @ociannecrinaeae …. idk many of you are writers, please do the thing, I’m falling asleep ;__; everyone do the thing