You’re comparing highly polished mainstream examples of iconic Japanese media to low budget, indie, and amateur american works. If you wanted to be fair the second image should look more like this:
The cultural exchange between American and Japanese art, particularly in animation, is hardly a one way streak.
Here we have Panty and Stocking, which boasts an artistic style that draws heavily upon modern western animation with it’s hard outlines and comical proportions. Shows like Dexter’s Laboratory barrow dynamic posses, dramatic framing, and highly expressive faces form anime and manga. Early anime and manga developed it’s distinct big eyes and childlike features by taking cues from western animation of the 20′s and 30′s
Betty Boop, in particular, was immensely popular in Japan. Her creators even made this short in appreciation of her Japanese fan-base.
WAIT I CAN ADD TO THIS ALREADY OBSCENELY LONG POST.
The entire Magical Girl genre is a big example of Western (primarily U.S.) and Japanese cultural exchange!
BeWitched (which was inspired by the 1940′s American movie “I Married a Witch”) was incredibly popular with young girls! This prompted the creation of the first popular Magical Girl Sally the Witch.
When the “Little Witch” Subgenre was big in the 70s the U.S. countered with animated Sabrina (from the Archie comics) which followed the same formula albeit with an older girl.
The 80s we start seeing more “flash of light” henshins/transformations being utilized along with the rise of the “Magical Idol” sub-genre in Japan it gave birth to shows like Creamy Mami and Magical Emi, in the U.S. it made way for Jem and the Holograms and She-Re Princess of Power (not a magical idol but still uses “flash of light” transformations). Jem was even a collab with U.S. doing the writing and Japan doing the animation!
The “Magical Warrior” sub-genre emerges in the 90s (even tho it has roots in the 70s with shows like Cutie Honey). This doesn’t catch on in America until the early 00′s with Atomic Betty (Canadian creation) and The Life and Times of Juniper Lee but we did see the start of it with the Canadian/Argentinian collab called Cyber Six. We also get W.I.T.C.H. and WINXClub in the early 00s from Italy which are both probably the most heavily influenced from Japan’s then current MG show structure.
Today we have Steven Universe, Bee and Puppycat, Star vs. the Forces of Evil, Lolirock, The Miraculous Ladybug, and if it gets picked up Twelve Forever which are all great Western MG shows that are influenced by Japan!
I could go on, I haven’t even scraped the ice berg on this! I have a whole hour panel I run on this subject called “Magical Girls from Around The World”
The point is the Magical Girl genre- and tbh animation in general- has been Japan and America (with some other Western countries thrown in) talking back and forth since the 60s. I leave you with probably the most direct influence:
can I add to this that Osamu Tezuka aka “the God of modern Manga”
was inspired by Bambi
into deciding to give big eyes to his drawings so that they would look more expresive. He also remained a big fan of a certain Jewish American animator until his death, oh yeah this guy
Walt Disney himself was also intrested in Tezuka’s work, with Astroboy being one of his favorites. A similar case exists now between John Lasseter (Pixar and Disney fame) and Hayao Miyasaki (Studio Ghibli) who are big fans of each other’s work.
Japan and America are less of a competition to those who work on it and more of an inspiration, it is very often the fans and not the creators who create rivalries between people that would be friends in real life.
SWEET JESUS HALLELUJAH THIS SITE CAN PRODUCE SOME GOOD I LOVE POSTS LIKE THESE.
Look, when I say “representation matters,” I believe that the most important thing is for people who are often ignored in arts and media to see themselves there.
But I also mean that it’s important for white/hetero people to see people who aren’t white/hetero.
Here’s the thing. I was raised in a very white/hetero community. Every friend I had was white. I never had a black person in my classroom until late high school. I never had a black teacher until college. There was one out-gay student at my high school. One. And I saw what shit he had to go through by being out.
And, if I’m honest with myself, most of the adults in my life were racist and homophobic. They were good, loving people…to me. But they were also racist and homophobic.
And as a kid through my teen years, I’d be lying if I didn’t say that didn’t affect me. I parrotted the adults in my life, which meant that I often parrotted their hate and their prejudice. I’m ashamed of those attitudes now–now that I’ve had education and met people who were different from me and travelled the world and put aside hate.
But then? It was easy to excuse racism. People who weren’t white and straight didn’t exist in my world–and they didn’t exist in the world I saw on television and in books and on the radio. It was easier to live in the bubble of that world.
Representation matters to white people, too. It is important for white people to see diversity. Not as a token, not as “politically correct”–the white people who feel that adding a minority character to a storyline is pandering are horrible people who are entirely missing the point. I’m talking about the white kids who don’t see minorities in their lives, but who see a black girl and a white boy being friends on Sesame Street. I’m talking about the straight teen reading More Happy than Not, I’m talking about the white teen empathizing with Malala Yousafzai. The more representation we have, the more we hold a mirror through the world rather than whiting-out people who aren’t like the majority, the better our world is.
Representation matters.
THIS.
I grew up in freaking white bread Utah but I always gravitated toward minority friends because I had PoC friends in the media I watched. Which probably sounds super weird, but because of the aforementioned Sesame Street and Family Matters and etc etc etc, I grew up with a different view on it. I deeply emphasized with the stuff I was watching and reading, so even though I am sooo not perfect, I was a lot further out the gate than a lot of my local peers.
And our media today gets better and better and includes more and more… and we, as we get older, have more power to help it grow and spread and get into the hands of future generations.
Representation is so so so so important for EVERYONE. We all desperately need it.
